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The filmmaker behind the classic of The Naked Gun, David Zucker, has reignited his criticism concerning the newly released revival featuring Liam Neeson, after briefly appearing to soften his stance following the premiere of the film's cinema debut.

Director's Disapproval of the New Film's Style

During a fresh discussion, Zucker expressed that Seth MacFarlane, the producer behind the new Naked Gun and previously the filmmaker and script collaborator of the Ted movies, "completely failed to grasp" the spoof-comedy style that Zucker, together with his collaborators Jerry Zucker and Jim Abrahams, made famous in Airplane! and the three original Naked Gun films.

"My brother, Jerry, and our partner, Jim Abrahams, began creating spoof comedies five decades in the past, and we originated our own style – and we executed it so effectively that it appears simple, evidently. Others began imitating it, like Seth MacFarlane for the recent reboot. He totally missed it."

Zucker continued: "It might appear that we're just randomly trying ideas to see what sticks, but we're not. Consideration is involved."

Leslie Nielsen's Legacy

Zucker added that it was pointless to make the movie without Leslie Nielsen, who played Frank Drebin and who died in 2010, remarking: "They attempted to substitute Leslie Nielsen in the recent revival, and you can't replace him. No one else can do that."

Earlier Objections and Changing Stance

Zucker had previously objected to plans to go ahead with a Naked Gun reboot, remarking last year that he was "not excited about having the series handed over to different individuals". He continued: "They have not contacted me to make a cameo or participate in scripting. Regardless of if they're going to succeed with it, this kind of spoof, I mean it's not rocket science, but it's not easy."

Nonetheless, after a string of positive reviews and strong box office returns following its launch in August, Zucker adopted a more agreeable stance, saying: "I am pleased by it because it just demonstrates there's a strong market for comedy in cinemas, and spoof in particular."

Renewed Disapproval Over Budget Concerns

However, Zucker returned to the attack in the recent discussion, criticising the amount of money involved. "Big budgets and comedy are opposites, and in the new Naked Gun, you could see that they invested heavily on scenes full of technical pizzazz while attempting to replicate our style."

Zucker further noted: "Everybody's in it for the money now, and that seems to be the only reason why they decided to produce a fresh installment."